RKD STUDIES

Marks and brands on Dutch and Flemish paintings

• Author's note
• Editor's note

1. Turning around paintings: 40 years of examinations of panel and copper supports

2. The production of a panel

• 2.1 From the forests to the Netherlandish panel makers
• 2.2 The panel maker’s workshop

3. Guild brands and maker’s marks on Southern Netherlandish panels

• 3.1 Background: guild brands in fifteenth- and sixteenth-century Brussels and Antwerp
• 3.2 The 1617 petition and guild regulations for Antwerp panel makers
• 3.3 Branding irons in use by the Antwerp Guild of Saint Luke: identification, classification and dating
• 3.4 Revised catalogue of branding irons (as opposed to Wadum 1998)
• 3.5 Flemish panel makers and their marks

4. Marks on Northern Netherlandish panel paintings

5. Coppersmith marks on Southern Netherlandish copper plates

Appendix 1: Catalogue of marks on panel supports

• A. Identified marks on Flemish panel supports
• B. Unidentified marks on Dutch and Flemish panel supports

Appendix 2: Catalogue of marks on copper supports

• A. Identified marks on Flemish copper supports
• B. Unidentified marks on Dutch and Flemish copper supports

Bibliography

Colofon